Nina

Fil d’Arena

2019 creation addressed to familiar audiences from 4 years old up. A dance-theatre show that talks about our essence and our strength to change the world’s colours.

SINOPSIS

Do you hear it? How does it sound? Have you ever heard what you sound like? Nina yes. Nina sounds like a game, like life, like colours. She is like this.

The story of a girl thar lives in a grey world. She does everything that is expected from her and that transforms her into an inanimate being.
A dance- theatre show that talks about our essence and our strength to change the world’s colour.

If they let us be, we will be surprised of what we are capable of doing.

Nina

If they let us be, we will be amazed at what we are capable of doing

Credits

Dramaturgy & Direction: LA TETA CALVA
Creation: LA TETA CALVA i FIL D’ARENA
Performers: IRENE BALLESTER i CLARA CRESPO/ROSETA PLASENCIA
Set Design: XAVO GIMÉNEZ
(Se puede incluir dentro de set design pero esto es otra opción) Set execution: LOS REYES DEL MAMBO
Sound Scape & Music Design: CARLES SALVADOR
Coreographic Assistance: ROSETA PLASENCIA
Lighting Design: XIMO ROJO
Costume Design: ESTÍBALIZ GONZALO
Production Manager: ISABEL ABRIL
Graphic Design: IRENE BOFILL
Photography: Nacho Carrascosa, Brais Roucco, María Tamarit, Gema Iglesias, Emma Romeu, Amparo Moreno, Marc Tomás, José Marín

Booking

fildarena@gmail.com
(+34) 676 304 418

(+34) 667 508 896

Distribution: L’estiba Cultural

(+34) 644 517 021

Open your eyes and wake up the brain. Salt, the latest production by the Valencian company Fil d'Arena dansa-teatre (...) is committed to stirring up the passivity of our western society. The one which believes the problems on the other side of the world end by switching off TV, for comfort, ignorance or pure survival. Or by a mixture of all three. And they do it dancing".

Corps écartelés, malmenés, poussés à l’extrême, Salt devient une performance magistralement interprétée par la puissance physique et la sensibilité inspirée d’Isabel Abril, Irene Ballester et Roseta Plasencia (...) La chorégraphie saisit le public suspendu aux pas de ce trio qui renvoie le reflet d’une société moderne en mal d’empathie.